UNKOOL REVIEWS
On the CD 'EVIL TIMES'
On the CD 'Unkool and Proud!'
On the CD 'Right To Rumble'

This is one of those cds which make you happy, make you dance, make you smile and move hips. If you are big fan of hillbilly, don’t be mislead, this cd has nothing to do with hillbilly itself!
It says it contains 18 Red Hot Tracks, and they are not lying! It really has 18 tracks! And all of them are brilliant hot swinging stuff; with add of harmonica and piano, slowing down from time to time with some rythm and blues compositions. 13 songs on this recording are originals. Also some “guest-writer” must be mentioned - Darrin Mazzilini, American professonal songwriter, who came to Sweden and was so amazed by the band that under deep impression he created some songs (two of which took place on “Evil Times”) for them.
What else, besides the professional work of musicians and pleasant voices of lead singers (Andres and Richard), makes this cd so special? A Girl. Guest (besides the bunch of musicians who were invited to play here and there) singer for whole three songs - Karin Johansson – makes rhythm and blues sound hot and spicy! Great voice and amazing fitting to the band… or is it the band so professional to back up so neatly? Wonderful!
To make the picture full, I have to add that there are three live recordings (well, one of them is a pure piano solo) and the last one - a bonus track to give you extra energy and remind you again how The Unkool Hillbilies could be cool! Give them a chance and you will enjoy it as much as I did!
5star5-star review Kitty, www.rockabillybash.com

From Sweden comes the Unkool Hillbillies! A band that has proven to be a great entertaining value in bars, pubs, honky tonks and assorted places! For the new album “Evil Times” we had to wait about four years, but believe me it was worth every minute of it!
The sound changed a little bit as does the line-up but the Unkool hillbillies are still rocking away the time with their brilliant mix of rock and roll, Jive, rockabilly and swing. Eighteen tracks full of rockabilly sins fills the new Evil Times! With a majority of these eighteen tracks self-penned the band presents a truly original album here! Interesting tunes can be found in Just your fool, Another Day Another Lie and almost every other track on the album. Special attention goes out to the tribute to Linda Lee, the unnoticed and underrated actress who once performed supergirl.
To emphasize that the Unkool Hillbillies are fore sure a live band, they add tree live tracks to the record as well as an extra bonus track! Cool for sure.
5star5-star review Mr Blue Boogie, www.billybop.be

These guys must be THE coolest guys around, as they dare to define themselves as rural hillbillies that are un-kool... That is a different disucssion, but the music itself is cool and there is one main rule for them: party. It must be close to ten albums for this band and through the years they gained experience and confidence that really shine through on all the tracks. The pianist Anders Umegård is the creator of eight of the eighteen tracks and is the main force behind this group. The harmonica player Richard Andersson composed three of the songs and one of them -Evil Times- is also the name of the CD and on that one he also handles the vocals, fabulous job. Karin Johansson from Dubbelgänget handles the vocals on three tracks It Hurts Me Too, You're The One and Dirty and of those three I gotta favour You're The One where Karin's voice really really stands out. The opening track Dangling On A String, written by Darrin Mazzilli, stand out as the best track of this CD and it would sure have fit Jerry Lee in his prime days, so these unkool hillbillies have all possibilities to climb the charts with this one. Darrin also wrote Jump Start My Heart but it has not quite the same energy.
This is an outstanding CD that must fit very well in car on the summer cruisings. Buy - buy - buy! Jan Andersson, American Music Magazine

True, many are the rockers sharing credit on this vivacious Swedish refreshing of vintage rock'n'roll and r&b. But Anders Umegard (vocals/piano) and Richard Andersson (vocals/harmonica) are the core, dividing most vocal and songwriting responsibilities.
Yet another step forward for a band already distinguished. Recommended Blisters (live), Sarah. The Rockabilly Magazine, USA

The Unkool Hillbillies is a misleading name, since it is not a matter of hillbilly music, instead it's rough rock'n'roll and rhythm&blues, steadily rooted in the 50's. The CD contains 18 tracks, of which three are live recordings. The piano-player and vocalist Anders Umegård contributes with as many as eight songs, while harmonica player and vocalist Richard Andersson delivers three. Two are written especially for the band by the American Darrin Mazzilli, whose Dangling on a string could just as well have been written for Jerry Lee at SUN. The remaining five tracks are covers, including Huey Piano Smith's I aint mad at you (Roberta), Little Walter's Just Your Fool, Rock This Joint (in a pre-Haley version) and Elmore James It hurts me too.
It is raw and wild in high tempo, with Jerry Lee inspired piano, twanging guitar and bluesy harmonica. The six songs that are enforced with saxophone are even more spicy. Karin Johansson makes a guest apperance as vocalist on three songs, and she does a great job. Her and the band's version of It hurts me too is one of the best tracks. The title track Evil times, Dangling on a string, Rock this joint and Another day, Another lie are also strong cuts. But better yet are the three live tracks Tore Up, Blisters and Stampen boogie. An entirely excellent Swedish album of hard swinging music. Mats Karlsson, Jeffersson

It is now six years since last time we wrote about this band orinating from Uppsala [Sweden]. (The 2005-CD Unkool&Proud was released when ROCK was down). Compared with Right To Rumble this ia a much more professional production. We are still facing piano rock'n'roll, but the guitar is now more dominant with new guitarist Sefan Asplund and The Unkool Hillbillies is now much harder than for example Fabulous Thunderbirds have been in many years. This is blues rock, boogie and rock'n'roll performed in the way we like the best!
We get 18 tracks, mixed with a couple of cover-songs, for example a hard-driving version of I Aint Mad At You (Smith, Vincent) and a fast live-version of Hank Ballards's Tore Up, recorded at their home venue Stampen in Stockholm. Elmore James' It Hurts Me Too is normally worn-out, but with the help of female guest singer Karin Johansson are they able too bring it to new limits. And the suggestive boogie driving in Just Your Fool with its cool guitar solo is one of many highlights. Party! www.rockmag.info

It takes only 15 seconds of the CD's opening track too realize that Anders Umegård masters Jerry Lee Lewis to full extent. He uses the same efficient kick-start as Jerry Lee has used hundreds of times. And the stylish efficency continues in 18 tracks, where three are live recordings and three with Karin Johansson on the microphone. Otherwise it is Anders Umegård or Richard Andersson who handles the vocals in The Unkool Hillbillies
I have never seen this band on stage, but I am quite sure what expect of a night with them. Fun, hard-driving rock'n'roll, rumbling and music that feels familar regardless if the songs are new or not. Here are a few songs I recognize since before, but the songs of Umegård and Andersson sounds just as genuine and as the others, even if they are composed only a month ago.
Umegård bangs like the devil himself on the piano and Andersson manages to get his harmonicas to sound like a smoking fire sirene. These guys are amazing, as are their fellow musicians. So I'd love too see this band on stage.
But my reflections don't matter, because all in all, this is an album to have fun with on every party! www.rootsy.nu

The Unkool Hillbillies is a one-of-a-kind rock ‘n’ roll band that really rocks. They mix fervent 50’s rock’n'roll/blues/rythm&blues. Evil Times contains 18 red hot tracks and proves again that this is one of Swedens very finest rock'n'roll bands. 18 rockin tracks that makes your feet slide through the the floor and your hops moving, put away the furniture and prepare for party!
The CD has a guest singer Karin Johansson who makes a really strng performance on two of the songs. She has an amazing voice, that fits very well with Unkool Hillbillies.
If you have missed this CD, then it is about time to order one. You will NOT be disappointed! www.badasslifestyle.se

There's nothing un-cool about this brand new release. A real HOT rockin' band from Sweden. Rock'n'Roll, Rockabilly & Rhythm 'n' Blues. Their best and most varied album yet! 18 great tracks and a very kool digi-pak design. rootscd.com

The Unkool Hillbillies are a powerful Swedish roots band that uses anything but Hillbilly to get you on the dance floor. Forceful Rock'n'Roll with Blues harp, pounding piano and an occasional wailing saxophone - Blues, Jumpin' Swing and Rockabilly with a chunck of Nick Lowe and Dave Edmunds style Roots Rock throughout the set come rolling your way full blas.
Two sessions produced a mostly original 18 song album that bursts with energy. There's the boogying I'll Do My Best, the hot Dangling On A String, and the Texas Blues style Sarah. Wake Up does just that and Just Your Fool is a fine Little Walter cover. Rock This Joint is a pure Jump Blues. The only slow rendition here is sung by welcome female lead Karin (Elmore James It Hurts Me Too" and she puts the firee in the fast boogie You're The One nd the sizzling original Dirty Man - think George Thorogood.
Three numbers are live custs and have the Unkool Hillbillies torm through Tore Up (Hank Ballars, Sleey LaBeef) and a delightful solo-piano boogie called "Stampen Boogie" The musicians are fine (love the piano!), singers okay, the sound a little chaotic and the mix could be improved upon - still Evil Times is fun and energetic all the way. Blue Suede News, USA

Regardless where you are in the country, if you in any way or form are involved in a roots/blues festival or venue, and is dedicated to "heart and soul to which you can dance and shout" - we advise you to as soon as possible contact the Unkool The hillbillies. Sublime rock & roll, jiving rockabilly and rhythm and blues with a boogie woogie piano, mean harmonica playing and solid guitars ... just an address info@unkool.se.
Richard Andersson (A Whole Lotta Harps & lead vocals), Anders Umegård (lead vocals, acoustic piano or Roland FP3), Stefan Asplund (Fender Telecaster), Mats Brobäck (cherry red drumkit) Oxhammar Raimo (elextric bass double bass) form sice 2002 The Unkool hillbillies and are now with the album "Evil Times, and the willing help of Roots together with Abba, Volvo, Ikea, H&M and knäckebröt included among Sweden's most successful export products. Well up in the past with the albums "Right to Rumble" ('03) and "Unkool and Proud" ('05), and now with the album "Evil Times", the temperature in music bars and dance halls will rise to turn them into saunas.
Overall 18 red hot tracks with professional American songwriter Darrin Mazzilli behind the opening track Dangling on a String and Jump Start My Heart and the beautiful covers I'm Aint Mad at You (H. Smith / J. Vincent), Just Your Fool (W. Jacobs) stand out but of among the in general highly excellent content on this disc with slighly Blasters-feel. Wake up ... let's rock & roll, the Swedes shout and Sarah, I'll Do My Best and Linda Lee clearyly give the message, the pounding piano and swinging blues harp and electric guitar are significant for the sound of the band. Rock This Joint says it and deeply inhale the message because the bonus / live tracks Tore Up, Blisters, stampen Boogie and Tell Me where the band are enforced with saxophone players Gustaf Hagelberg and Otto Gryting, will leave you breathless.
If you are not completely smashed-down by these cool cats from the High North then you will be really knocked-out by the outstanding Karin Johansson with her fantastic versions of Etta James' It Hurts Me Too and the Unkool hillbillies originals You're the One and Dirty. Hey - if you ave not already ordered this gem, then go directly to to CD Baby or Roots CD and order your own copy now.....( SWA) RootsVille, Belgium

Third and plentyful (18 tracks, including 3 live-recordings) album from the Swedish group featureing Anders Umegård (vcl, pno) Richard Andersson (vcl, hca) Stefan Asplund (gtr) Mats Brobåck (drums) Raimo Oxhammar (bass) and Karin Johansson (vcl on 3 tracks). Not heard the two first, I have no not anything to compare with. Anyway, this one great selection of rockin, jumpin R&B (Just your fool, Rock This joint), Swamp blues (It hurts me too), Boogie (Stampen boogie), another of Tex (Blisters) and several of Rock'n'roll (You're The one) or Louisianian in Jerry Lee Lewis style (Dangling one A string, Another day Another Lie, Evil times, Tore up) or saucy New Orleans (Sarah, Wake up, I Ain't Mad At you, I'll Do My Best), which justifie their presence in this heading, thanks to the piano of Anders and with the two saxes, invited for the circumstance.
One can thus say that they are uneffected by Rockabilly trends or recent r&b, instead they define their own style of R&R, yet loyal to the tradition, and of the best quality, divided between many [different] interpretations and compositions. They stand out. ['Top Notch'] Le Cri De Coyote, France

Following in thee style of 'Right To Rumble' (see NDT 245) and 'Unkool and Proud!' (NDT 271) the all-action Unkool Hillbillies unleash a further collection of explosive piano-led rock'n'roll.
The CD gets off to a flying start with Dangling On A String - a number specially written for the band by California songwriter Darrin Mazzilli following a meeting with them while on a visit to Sweden. Somewhat akin to Honky Tonkin Hardwood Floor, Dangling On A String with its tremendous piano and sax breaks never lets up from start to finish. Darrin's other tailor-made composition for the album, Jump Start My Heart, again captures the mood of the band and wherer theey are coming from with another slice of unrestrained rock'n'roll.
More of the same follows with the band's lively if somewhat cavalier versions of I Aint Mad At You and Rock This Joint further enhance the CD. Guest singer Karin Johansson is the surprise package with a stunning version of Elmore James' It Hurts Me Too. Karin also comes on strong with a rip-roaring You're The One and follows with the strolling Dirty Man. According to the sleeve notes, Karin had a rock'n'roll CD out in Sweden a few years ago. If this performance is anything to go by it must have been quite something.
Evil Times is an enjoyable CD, three tracks recorded after hours in the Unkool's natural habitat, the Stampen rhythm&blues pub in Stockholm. Original country rock number Blister's, the classic Tore Up and Anders Umegard's encore number, Stampen Boogie, bring the CD to a rousing conclusion. Now Dig This, UK

After the CD's Right To Rumble (2003) Unkool And Proud (2005) [here] is the third CD from this Swedish band with the rather miscrediting name The Unkool hillbillies. br However, it is one hundred percent a hard hittin 'rock' n 'roll band. The pumping piano is the heart of the occupation and to variation 'supplemented' with a dirty mouth-harp and a fat saxsound, as well as the electric guitar. We hear 18 songs where 13 are new, original compositions to explore.
Pianist Anders Umegård and Richard Andersson bluesharpist names as core members with the vocals for their account and then you get songs like the up-tempo rocker with piano and saxsolo Dangling On A String (the opening number and immediately the second best song of the CD ), the mid-tempo Stroller Another Day Another Lie, guitar rocker Wake Up, with the bluesy mouth-harp interpreted Just Your Fool, to the Chuck Berry sound Linda Lee (Supergirl that is!), and more.
In their previous two CDs the downside was the lack of variety and we can see that the band has overcome this weakness, although the songs that varies most is not necessarily the strongest. The melodic sounding I'll Do My Bestand the slower than the original executed cover Rock This Joint in my opinion.
Maybe they had more than enough of 'straight' as included the the energetic and live-performnace Tore Up. The Sleepy LaBeef [Hank Ballard] cover is again then the best cover of the album it is more than overwhelming. The second live track on the CD is very melodic sounding Blisters, an original, that would have been an hit in the 80s thanks to a catchy melody and an enjoyable saxsound. The third and final live track is the excellent-sounding real boogie-woogie Boogie smash, named after their home venue Stampen.
Far at the end of the album we are treated to a pleasant surprise. In addition to the vocalists comes then the Swedish female singer Karin Johnsson forward. The core of the band previously served as producer for a previous album of that singer in a Swedish-language CD that achieved even national radio airplay. That they have now asked her can I completely understand. That girl has a great great voice! She performs the bluesy It Hurts Me Too really outstanding and the also bluesy Dirty is damn sexy, but my favorite (and also my favorite of the whole album) is the incredibly nice rocker You're The One. I love that voice! Without doubt this is the best album of the band.
Yes, to be uncool is cool! Frans van Dongen, Boppin Around

Don't let the name of the band mislead you: this band is anything but un-cool and their music owns more to New Orleans and Chicago than to the Grand Ole Opry. Featuring the pounding piano of Anders Umegarg and the fantastic blues harp of Richard Andersson (and both sing), a mean guitar and a solid rhythm section, this 18 song (13 originals) album is a killer from start to finish.
It's a mix of Chicago Blues (Little Walter's Just Your Fool) jumpin' blues with an early rock'n'roll edge (Rock This Joint), Jerry Lee Lewis piano (Dangling On A String), New Orleans rhythm'n'blues featuring juicy saxes (Sarah), good old boogie woogie (Stampen Boogie) and some Blasters influences (Wake Up, Evil Times). They add diversity with three songs recorded live (Tore Up, Blisters and Stampen Boogie) and guest singer Karin Johansson is featured on three tunes including Elmore James' It Hurts Me Too. After all this, I'm not sure you'll continue to call them unkool! JumpingFrom6to6.com


The Unkool Hillbillies "Unkool and Proud" (UNKOOL) 2005 by DC Larson
Sure, they're well able to ressurect Roy Brown-style R&B and primordial Rock'n'Roll for post-Millennial ears. They endeavor famously with magnetic sparkle and devil-be-damned abandon. The wild guitar is joined by an indomitable rhythm section, wailing saxes and pounding piano. And the several singers keep things fresh. But as hot as the playing is, there's something more important at work here. The emotional bond between musicians and music is palpable at each turn, a spiritual oneness that defies pretension. Heart and soul to which you can dance and shout. 5starreview Rockabilly Magazine

Why these six Swedes call themselves unkool is hard to get when you look at the cover and listen to this CD. They look sharp and sound way cool. Jump blues and energetic Swing music with a touch of Teddy Boy Rock'n'Roll is what they do and they rock up a storm on this release. Roy Brown's "Black Diamond" from the Jump Blues reportoire, some Rock'n'Rolland Rockabilly flavoured numbers like Gene Vincent's "Hold Me, Hug Me Rock Me" and "Wear My Ring" and a mean and hard Bluesy version of "Matchbox" make up the familiar tunes. Half of the 14 numbers were written by main lead singer and piano pounder Anders Umegard, Harmonica Wiz and singer Richard Andersson contributed with the Bluesy "Dirty". The fast piano rock'n'roll "Love Me If You Want" reminds me of British piano rocker Freddy "Fingers" Lee, "It Hurts Me Too" is a nice blues ballad, "One Bad Stud" a cool saxophone driven rocker. "Rap is Crap" is the new "I Hate The Disco", "throw away my radio" [from the refrain of 'Rap is crap'] is how many of us feel. Fine CD. Blue Suede News

“Unkool and Proud!” is a brand new CD by this Swedish band. This CD contains up-tempo Rock’n’Roll, Rockin’ Blues, Swing, Jive, Boogie Woogie and Rockabilly music. The sound is professional and the songs are well played. The dominating addition of blues harps, saxophone and piano are very important for their swinging sound. The Unkool Hillbillies made their own rockin’ versions out of rockabilly classics like “Matchbox”, “Hold Me, Hug Me, Rock Me” and an up-tempo version from “Wear My Ring”. Roy Brown’s “Black Diamond” is a swinging blues-rocker that fits perfectly the sound of this band. “One Bad Stud”, another savage rocker, and “It Hurts Me Too”, a bluesy ballad, are both sung by Richard Andersson, who also plays the harmonica. The 8 other tracks on this CD are all original Unkool Hillbillie-songs, mostly written by singer and piano player Anders Umegard. Especially on “Love Me If You Want” he demonstrates his talent with his savage piano playing style. A real good CD, professionally played with a lot of variation. www.billybop.be

Hold on tight, cats, or else these Swedish buddies will rock your socks off! This is the band's second CD. The first one, "Right To Rumble!", was issued on Racous Records on April-2003. The album was basically recorded during one intense weekend. The spontaneity and improvisation abilities of the Unkool Hillbillies are present throughout every song, but particularly shine through on the instrumental "Rooster Shaking Boogie", which was accidentally recorded (and composed) during a coffee-break jam.
While the previous CD was a bone-breaking and explosive set of rock 'n' roll, this new one also shows off some of the wider abilities of the band. Half of the tracks were written by Anders Umegàrd and the other half are covers. There are the frantic high-speed rockers and rock 'n' roll / rockabilly tracks, but there are also a couple of rhythm & blues numbers, and in between, some influences of early surf music can be detected.
This band has topped the Swedish radio charts on several occasions and stands out as one of the most fresh and original bands of this genre in Sweden today. Their main trademark is Anders' intense style of piano playing, something you got to witness. This, along with Hakan's unpredictable style of sax playing, and the virtuosic guitar playing technique of Jan make this band definitely worthwhile listening to. Black Cat Rockabilly

The title of this album is humorous and ironic. The true fact is that this gang is not only cool, they also have a complete knowledge of the history of American roots music. Hakan Landsberg is one of the guys who understand how important the saxophone is when it comes to this type of roots-rock'n'roll. It is also essential to know how to swing. That is something this band really knows well. They seem to underline that "roll" is essential when it comes to "rock". If you check the influences of this band, you can be sure that they have several worn-out copies of Big Joe Turner, Smiley Lewis, Louis Prima and Larry Williams in their record collections.
Most of the tracks are self-writte, al though they could very well have been written in the 1950's USA. But if you chose such an obscure classic from the Gene Vincent reportoire like Hold Me, Hug Me rock Me, composed during Gene's third recording session in Nashville, october 1956 - then you have pretty good knowledge of the history of American music. It is also a very long time since I heard such a fantastic version of Elmore James classic It Hurts Me Too.
Keep it up boys, you are definitely on the right track! This band must not only be heard on CD, on a live show there are really outstanding. www.musiklandet.se

The Unkool Hillbillies comes with their second CD, recorded in January this year [2005] in Garaget Studio in Stockholm. The style is similar to the rock'n'roll side of Jerry Lee Lewis with a mix of blues and rock'n'roll, with a genuine 50's style. Seven songs are written by Anders Umegård, bandleader and singer/pianist. Also participating is Richard Andersson (harmonica/vocals Claes Carlberg (bass/vocals), Jan sjöberg (guitar/vocals), Hakan Landsberg (sax) and Jasenko Kumric (drums). The music of this band is described as "unkool", and why not - it really rocks. American Music Magazine

We've played this band in our CD player several times before, but on this new CD half of the band members are new. The Unkool Hillbillies claims that they do not play in a traditional way, but if you'd expect something completely modern, you wrong. This Swedes play in the traditional 50's rock'n'roll, but nevertheless, they manages to lift the transfer bring style of music into a dimension.
These obscore hillbillies, who are known for their explicit rock'n'roll, manages to build up a quite massive sound, many thanks for the varierity of instruments. From guitar and piano, to saxophone and harmonica. The music is energetic, and sometimes much wilder than on the previous CD, "Right To Rumble". A big portion of their music reminds of Freddie "Fingers" Lee and similar. Much of this is, of course, because of the piano. Just listen to the original song "You're The One" (here with saxophone solo), but also to the very surprising Gene Vincent cover "Hold Me, Hug Me, Rock Me" or the instrumental "Rooster Shaking Boogie", that originated under a session coffee break.
These rock'n'roll musicians.....really work hard! Sometimes they bring the pace down, but nevertheless still energetic with the rolling "Dirty", or through a bluesy rock'n'roll like "It Hurts Me Too". One the other hand is the tempo of "One More Time" so wild, that it is finished already in one and a half minute.
According the press release, this is a band with extremely high variations. But when it comes to this CD, we would ask for even more variations to fulfill that criteria, even though the variations of instruments. This is however just a minor detail. Instead we salute: "Yep, this is what rock'n'roll is all about"! Boppin Around

On their second CD, The Unkool Hillbillies delivers rockabilly spiced with some blues. I declare that I like rockabilly, but I ust confess that I know nothing about the genre, there has never been a possibility [for me] to study it deeply. What you can declare, and compliment, is that this CD consist of mostly original material of high quality along with some well-chosen covers. It is mostly uptempo, and it rocks well. Extra credit to pianist and singer Anders Umegard, and then specifically for the pianoplaying, al though there is nothing wrong with the singing. All in all, things are great on this CD, the only thing I would ask for is a little bit more of live-feeling on the sound, I would not mind a slighly dirtier sound.
I must also mention their original number Rap is Crap, a very good text and extremely fun song. This song alone is enough to by this CD. Bluesbullen

The grooviest CD of the year. Great instrumentalists, great singers, great original songs, great covers! Mix of r'n'r, blues, R&B and hillbilly. Smokestack Newsletter 2006/1


5starreview BlackCat Rockabilly Europe

New CD with The Unkool Hillbillies and all I can say is WOW. A person that manages to sit still when the piano master (Anders Umegård) and his boys kick up the pace, needs to make a medical examination immediately. If you have not heard this act before, you should call Anders [at Yodeler Records] up at and order this CD at once. What are you waiting for, have you not called yet? Oh, the phone-number is 070-2080928 [international +46 72080928] or send an email: toe_tappin@hotmail.com
There is one song on this CD that alone is worth the entire price of this CD. What a thrilling song for an old fan of good and honest rock-country-music. This is a so-called “Qrrerepeat”. Such a song should be between 120 and 200 [in tempo] and this happens to be at 165, including the intro’s 23. The tune I’m talking about is “Blisters” and this song will be difficult to top this year. Other very good tracks are “Hillybilly Party”, “Right To Rumble”, “Don’t Get Me Wrong”, “Regal Boogie” and “Mama Don’t Allow”. We can only hope that Anders and the boys will be playing where we can catch them this summer. Qrre Larsson, Big River Post

Solid Rock 'n' Roll with pounding piano and occasional harmonica. The Unkool Hillbillies really rock it up on 'Right To Rumble' with a fantastic selection of original material interspersed with well performed covers which as Hank Ballard/Sleepy LaBeef's 'Tore Up' and Roy Hall's 'Diggin' The Boogie'. This really rocks, and fans of Revival Rock 'n' Roll and Piano Rock 'n' Roll will love it! Racous Records

The Unkool Hillbillies is one Swedish band with a real good beat. They have earlier participated on Yodeler's [album] "Washboard Wilma & The Unkool Hillbillies". I enjoyed their own contribution to that album [A Home In Montana]. Here thery are on a CD of their own and also extended to six members. The pianist and singer Anders Umegård is contributing with as many as seven [eight] tunes among the CD's total of twelve. Best among their own material are Don't Get Me Wrong[,] with a piano intro à la Jerry Lee Lewis' version of Down The Line[,] along with 1-2-3-4 and Hillybilly Party. Claes Carlberg handles the vocals on Dig That Boogie and Regal Boogie. In Mama Don't Allow Anders Umegård brings out his accordion[,] and it would have been nice if he would have done it also in other songs. Tore Up is performed in a very fast version. This is a hard-drivin' CD with excellent guitar and pianoplaying, even though the total playing time [30 min,] is rather short. Jefferson Bluesmag

Rock'n'roll in 50's style. The Unkool Hillbillies stands out more and more as one of the most fresh and original bands of this genre in Sweden today. The pianoplaying of Anders Umegård is one strong reason, but also the others in the band have the right feeling. The rythm section, with double bass and drums, sure knows how to get things rockin. The guitarplaying is just about right groovy. Most of the tracks are written by Umegård, but they do also mix in some well chosen covers. Country Rock Specialisten

The rockin' [band] The Unkool Hillbillies are known to create a tasty rock'n'roll flavoured with rythm&blues and rockabilly. The main trademark is the pickin' piano-playing of Anders Umegård. Now they have added mouth harp and accordion to make the dish complete. The band handle  their original material and cover songs equally well. They even manage to give new dimensions to the Hank Ballard's well-known Tore Up. Among their own compositions they deserve special credit for the harp-furious 1-2-3-4 and the Jerry Lee Lewis-like Hillybilly Party. [Translated from finnish Finnish/Soumi by Matti Paalomäki] Big Beat

While they [on The Unkool Hillbillies participation on earlier CD's] earlier has mixed-in ragitme, hillbilly and other forms of rootsmusic, it is now a question of pumpin' rock'n'roll, rock'n'roll and nothing else than rock'n'roll. This five-piece band makes music in a massive, hard-hitting sound. There is a broad spectre of music instruments: guitar, double bass (sometimes electric bass), drums, piano, harp and accordion. We get to hear everything, only a brass section is missing.  But thereby it is not an overwhelming variated album, all songs are in about the same style. The variety in music instruments is more a detail in the massive wall of sound. The piano is in the main room of this massive wall of sound. The harp and accordion make only short apperances, but still within the picture. Most of the songs are original compositions. The song 1-2-3-4 is very strong, and here we hear the raw mouth-harp in all its pleasant power. Mama Don't Allow gives a nice cajun, thanks to the accordion. Only two songs have a somewhat different style than the others. Dig That Boogie (Roy Hall) and Hey Little Girl (Billy Emerson) are more relaxed, but still as good as the other material. Otherwise it rocks tremendously, be it Hank Ballard's Tore Up or their own Right To Rumble. This is at the same time the only shortcoming of this album:  the limited variation, all songs are in more or less the same style. But that was probably also the intention so we summarize it as we introduced this album: pumpin' rock'n'roll, rock'n'roll and nothing else than rock'n'roll is what we get to hear. [Translated from Dutch by Dries van der Pol]  Boppin Around  

[It's] Not easy to place  the style [of this band] in one of the usual categories, but it is of course much 50's. It feels like an original blend of blues, hillbilly, rock and more. Sometimes they sound like a 50's hillbilly group, while [they] sometimes sound more new and modern. In "Play One More" they even mix in a Swedish polska-dance!
The instruments are piano, bass, drums electric guitar, harp and some accordion. The band say that they are still a genuine live band with fun music[,] xbut to see this band live will make you wet, as [this music] is quite fast.
This is perhaps something you should bring to the party! Kountry Korral!

On the CD 'EVIL TIMES'
On the CD 'Unkool and Proud!'
On the CD 'Right To Rumble'